mistrustmusic's posterous http://mistrustmusic.posterous.com Most recent posts at mistrustmusic's posterous posterous.com Tue, 04 Sep 2007 13:04:06 -0700 A career in music? http://mistrustmusic.posterous.com/a-career-in-music http://mistrustmusic.posterous.com/a-career-in-music I've always wanted a job in music, maybe as a pop star or producer (only kidding), but resigned myself a long time ago to the fact that it would never happen. I've been working in education for the last 12 years, and recently started doing a lot of e-learning stuff, which involves audio and video production, so thought it's probably the nearest I'd ever get to put my music tech skills and general musical knowledge to some use. However, that may change in the near future, and I may actually get my career in music after all. I've had an interview at a university where they want someone to become the e-learning subject specialist in their music library, which covers both general music stuff and music technology. They have quite a lot of professional music people teaching there, both composers and producers, so it would be an ideal chance to learn more about that side of things, and hopefully improve my own music and production skills. Of course, a lot of you on here probably already have the ideal music career, but I'm interested in technology, music, and how the two work to not only make music but promote it too. Sounds ideal to me! The only problem now is I have to wait to see if I've got the job......

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Wed, 27 Jun 2007 09:35:17 -0700 Zen and the art of music licensing http://mistrustmusic.posterous.com/zen-and-the-art-of-music-licensing http://mistrustmusic.posterous.com/zen-and-the-art-of-music-licensing Since I licensed my tracks out to O'Neill Europe for the Deep Blue Open dvd, I've had a lot of people asking for some advice on how to get their music into film, tv etc. Obviously, I'm no expert, and I had a few people give me some pointers before I signed up with O'Neill, but here are some tips from me from what I've learned so far (but don't blame me if this method doesn't work!!!) I was approached by a licensing company for them to use my tracks on an O'Neill surfing dvd and got some info from them about how to get my stuff into more films, etc and was advised to get a showreel together to prove to film makers and post-production people that my music fits in with the sort of thing they're looking for. One of the best ways to do that is to offer some of your tracks for low/no fee to build up a portfolio. Have a look at some of these for more info: http://www.mandy.com It's a site for film jobs - go to the Production Jobs section and check look through all the locations, eg Europe, then the Post-Production links. There's both paid and lo/no income jobs. http://www.ukscreen.com There's a forum on the site which lists people looking for music for films, mainly lo/no fee http://www.labelsound.com They'll make all your tracks available for film and tv licensing (for a small fee). http://niceup.com/misc/internet_music_licensing An excellent article about how to get into the film music industry. Google for things like music licensing companies, "indie movies", "music wanted" stuff like that. Check out indie movie forums - there's always indie film makers looking for cheap music and it gets you some footage for your showreel. Contact your local college or uni if they have a film or media school. Have a look on the unsigned band web forum - http://www.unsignedbandweb.com/forum-37.html for people advertising for music. There's always ads on there. There's a film makers forum on Myspace.com, too. Music licensing can be a bit of a closed shop to unsigned artists if film producers have got a massive music budget. They get the best composers and pay a fortune to people like Sony and BMG for tracks. If the budget isn't so big they want unsigned people like me and you. Usually for lo/no fee. Oh, and it looks good on your music CV if you've got film credits, whatever they are. It's definitely worth going down the lo/no fee route, just to get known. I'll pm you with a list of some of the other sites I've been on for info. Make sure, though, that you get a proper contract. Well - 2 in fact - a Master Use and a Synchronisation contract. BTW when you're dealing with these sort of people - licensing, post-production, etc., be prepared for a very long wait. The company I dealt with over the dvd was actually liaising with about 5 or 6 other companies, so I was the last to know anything. If the bloke said there's potential, try your music out on the sites I mentioned. Oh, and tell people you're a film composer, and say so on your website. You never know - you might get your music used and get paid a lot of money for it. This article first appeared on my Blogger pages in November 2005. Since the, I've learned a lot more.... I've now discovered music libraries and production music....more information about how to get into this is at the MCPS website, where you can get a list of the 80 or so libraries in the UK. I've had quite a few more opportunities............. - Deep Blue Open has been on TV around world and now on O'Neill TV. Clips of this are doing well on Youtube. Click here to have a look.... - Tracks on another O'Neill DVD and surfer biography film - Requests from various indie/student film makers for use of my music - I was confident enough to say "no" because the deals weren't right. If I hadn't done the O'Neill thing, I wouldn't know about my rights, etc. - Tracks put forward by licensing company for use in Hollyoaks (UK TV show) - Signed non-exclusive deal with major UK music library for licensing my tracks to TV, film, advertisements etc. The tracks are now registered with MCPS-PRS. - Requests from other music libraries to work with them. Oh, and I've actually made some money from all this. Check out some of my film music at my musicfreedom site. Disclaimer: the opinions and advice given are just that: opinion. They do not constitute a contract between you and the companies mentioned, nor are they intended as adverts for those listed. Don't sue me if you don't get signed!

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Thu, 14 Jun 2007 10:33:49 -0700 Autism and music http://mistrustmusic.posterous.com/autism-and-music http://mistrustmusic.posterous.com/autism-and-music
image: 29 may 2006 - eventful.org.uk - 0008 - (medium) by Headancer/Simon Green (copyright 2006) (link to Headancer homepage) As you'll probably have read on Paul's blog, he's still not back in school. This is having a massive knock-on effect on the rest of family and my in-laws, and is generally causing chaos at Mistrust Towers. Anything from a decent night's sleep to watching tv is being affected as Paul's life is almost completely unstructured and he's having to find things to do all the time, something he finds quite difficult at the best of times. He's getting tired at all the wrong times, just because he's getting really anxious in the mornings from not knowing who may call round to see him (school inclusion people, mainly). If you haven't been here before, he's got Pervasive Developmental Disorder-Not otherwise specified, which means Autism/Asperger's type personality and behaviour, hence all the anxieties. What's this got to do with "mistrust music"? Well, for some reason, Paul has decided that he wants to learn to play the drums. That means he wants a drum kit. Not just a basic, cheap kit. A proper one, with all accessories included. Bear in mind that he has a very small bedroom and there's nowhere else in the house that it could go. So that's a non-starter. I've told him we'll get a basic drum pad-type thing - one of those plastic things without about 4 pads on it, with a set of plastic sticks - so he can see how it goes. Judging by his recent attempt to learn to play the guitar, he'll give up if he can't work out how to play a particularly beat. With Paul, it will be as follows: Learn the bass drum, then the snare, etc. Then learn a rock beat, then a waltz, etc, and if he gets stuck on one, he'll pack it in. He also wants to learn keyboards..... He's been fiddling with my old Casio MT31 (which still works after nearly 30 years!) but it's got small keys and he's having problems playing the notes. He's gone onto "Learn to Play.com" or something which has basic riffs to play, and has been practicising the same thing over and over till he gets it completely right. The problem is that there's no audio on the site, so he relies on me to say if it's right. Once again, if he can't play one of the tunes, he'll pack it all in. It's good that he's interested in making music the "traditional" way, instead of using loads of samples in Acid Pro, and he's actually got potential in the technique side of things. He now wants to use my Evolution Midi keyboard, plugged into the computer, and use a keyboard training program. All this means I'm getting less and less time to come up with some new tunes. I've got the playing bug again and I want to do some live work, but there's very little time to do much at the moment because of all this domesticity. The tunes that went to Candycover music library should be live soon, and that could open up some new opportunities, and I'd like to be prepared for anything that comes along. Howeve, anything that will keep him focussed, occupied, and will develop his skills, is something we've got to keep up with. You'll probably have noticed the image at the top of this post. It's a photo by Headancer, one of the Big Chill Forum folk. I asked on there last week if I could use some of the things that have been occasionally posted on the forum, or if anyone could point me to some others I could use to brighten up my blog. So, thanks to Simon Green (Headancer) for use of the image. If you want to see more of his photography, please go to Headancer on Mac.com and tell him I sent you. Please note: All the images used on this site are copyright and should not be used without the owners' permission. The pic I've used is from eventful.org.uk. It reminds me of the fact that I'm off on holiday in about 5 weeks......

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Thu, 03 May 2007 11:11:55 -0700 All the world's an MP3 stage http://mistrustmusic.posterous.com/all-the-worlds-an-mp3-stage http://mistrustmusic.posterous.com/all-the-worlds-an-mp3-stage I've been thinking about the number of music hosting sites and MP3 directories that I have my music on. Most of them are free-to-download places where people can just have my tracks for nothing. I started off in late 2004 by choosing just one site - Electromancer.com, which is now no more, just because I lacked confidence about my music and it seemed like a good place to start when I'd never even considered putting my music out to the public. In fact, even though Electromancer closed down last year, a lot of the artists are still active on the forums of another site, Nervejam, and are still as friendly and supportive as ever. I got a bit more confident after getting some great reviews, thinking that more people might give me a listen, so I followed links and recommendations about other hosting sites, signed up to 2 or 3, and waited for the plays to roll in. Then I started chasing more sites and more plays, until I had tracks on about 1o or 15 sites. I've now lost track (and usernames/passwords) of most of those sites, and still get the occasional email from them, saying someone has posted a comment. A quick check on google as to which sites I'm on offers up 94 links for "mistrust music site" and 30 for "never alone mistrust" (my first track from 2004). I still see the same old faces on all these hosting sites, desperately looking for more plays, trading reviews, asking if the rolloff should be at 40Hz or 20, continually producing new tracks in the hope of what? Getting signed by an independent label? How many of them trawl the unsigned band pages looking for new talent?  I don't mean any disrespect to all these unsigned artists, if that's what they're happy doing. It's just that I have got the time any more to keep making tracks, posting reviews, etc. I've thought about uploading my music to loads of other MP3 hosts, especially the ones that have been recommended by music magazines, just to get a few more people interested, by right now, what's the point? I've got a blog, a myspace profile, and somewhere to host a few tracks. I've been featured on a local radio show and played by a few DJs. That's probably all I need. I've signed a non-exclusive deal with a music library, so it's not a bad life. Here's some homework you, dear reader: How many websites am I listed on for "mistrust mp3" at google? Answers in the comments box, please! Don't forget to listen to some of my tracks... 

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Tue, 01 May 2007 16:08:52 -0700 Music Licensing http://mistrustmusic.posterous.com/music-licensing http://mistrustmusic.posterous.com/music-licensing Someone on the Big Chill forum that I occasionally visit wanted some advice about getting his music marketed through a music library and wondered if he had to sign up with MCPS and pay £100 for the privelege. As you may have read on here, I've recently signed a non-exclusive agreement with a major UK library, and haven't had to register with MCPS, so something doesn't add up if this chap has been told otherwise. As far as I'm aware, the agreement I signed sorts out pre-clearance for my tracks that the library is offering to film, tv, companies etc. In other words, if a few tv production companies hear of one my tracks on the music library's website and want to use it, there's no need to wait ages for them to send me an individual agreement for each programme, for me to check them, sign them and send them back, etc, before anyone can use them. From what I understand, the music library registers my track with MCPS (they get listed as the publisher), the production company requests a licence from MCPS website giving the catalogue number of my track, and the production company pays MCPS for the licence. MCPS (eventually) sends the licence fee (minus their admin fee) to the music library, which then pays me (minus their take - usually 50%). If anyone else is looking for advice on signing up with a music licence in the UK, have a look here at the MCPS production music guide, which even shows you the official rate card for different types of production (anything from about £20 to £000s). The music library should be registered with MCPS - if they're in the UK and not on this list, it's probably not worth dealing with them. If anyone from the USA or other countries is reading this and knows something about it in other countries, please let me know.

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Wed, 18 Apr 2007 15:45:17 -0700 Signed by a music library http://mistrustmusic.posterous.com/signed-by-a-music-library http://mistrustmusic.posterous.com/signed-by-a-music-library I've sort of mentioned this before, but now I can tell all..... I've signed a non-exclusive deal with a major UK music library, called CandyCover, that supplies music to TV, film, and advert production companies. They've worked with big players like Orange, O2, Virgin, and the Ministry of Sound. It's a massive break for me - never had anything like this happen before. They've asked to use 8 of my tracks - not my long, instrumental tunes that have been doing the rounds for a couple of years like Never Alone and For All we've done, but my more recent ones that are available at Music Freedom. They're all fairly short and are wanted for the library's "Art/Quirky/Cult Drama" section. I've signed a contract with them and the tracks are going to be registered with MCPS, the official publishing organisation in the UK, which means I get paid the proper rate if any of my tracks get used. I know that a lot of musicians get tracks signed to music libraries, and the competition is huge
Listen to this article , but it's a massive break and I'm really pleased about it. I've been told in the last couple of years that my music hasn't been commercial enough to get on a record label release, which was a bit disappointing at first. I got some tracks taken on by a company called Archangel Media Group for use in some O'Neill Surfing promo films - Deep Blue Open 2005 and Anglet Pro, but it was unpaid and not a lot came from it apart from a decent showreel and the prestige from getting airplay on Extreme Channel. However, more and more people in the music licensing business were saying that I had a "soundtrack" edge to my music and that it would fit in with the sort of thing that gets used in film and tv. I got a knockback a couple of years ago when a licensing company called Raw42 said that my style was not suitable for adverts, but I carried on in the same style, making more short instrumental stuff, and it looks like it's paid off. Finally, a big thanks to everyone who's pushed my music and kept me going with words of encouragement and support.

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Tue, 17 Apr 2007 21:13:21 -0700 Paul can't open up to people but he can talk to his blog http://mistrustmusic.posterous.com/paul-cant-open-up-to-people-but-he-can-talk-t http://mistrustmusic.posterous.com/paul-cant-open-up-to-people-but-he-can-talk-t
Should this blog be entirely about music? Comments please! I just wanted to put in a quick word about Paul's blog. Paul Harrison is my stepson, who happens to have PDD-NOS, a condition similar to autism and asperger's syndrome. He's very withdrawn and hates having to meet new people, as it makes him anxious and can't cope. He can't get into school at the moment as his stress levels go through the roof whenever he thinks of being in class - he's 14 y.o. and you just try making him go! The whole thing makes him more anxious and less confident. His school agreed to send him work home, which is a start... We've had major problems getting him to communicate his feelings and anxieties, and won't go to see the pyschologist he's under at the moment, so me and his mum have to keep diaries and try to tell the psych what we think Paul is thinking. He just can't open up to people. Until he discovered I was writing a blog. Now he's blogging all the time. At first it was only to tell people about his music on myspace. Then he posted something about PDD-NOS, I helped him tag it, and he started to get loads of hits and a few comments about how he wasn't alone in the ASD world. People from around the world were writing to him. He's now added more posts, writing about his days at home, and life in general, and he's really opened up in writing how he feels, and actually puts across his anxieties. Whether he's found a way to get more hits than me (he's very competitive) or whether he genuinely thinks he can write down how he feels, I'm not sure. Oh, and if you want to read about music, I've just been signed by a major music library in the UK. Some of the tracks are on musicfreedom.com, so have a listen while you post a comment on here!

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